- NUVO File Photo
- Freddie Gibbs at the Jazz Kitchen
Here they are. Our 100 absolute favorite records ever to emerge from the great Hoosier State. We compiled a list that is historically and creatively representative of the best music that Indiana has to offer your ears, a snapshot of our state's musical identity. Consider this your pre-gaming read for next week's complete coverage of Record Store Day, the best musical holiday of the year.
The four points
Here's how we determined what we'd include on the list. Albums that made this list are creative products of Indiana. We looked at a few different ways of measuring "Hoosier"-ness and came up with a list of loose criteria. Albums on this list fulfill at least two of the following criteria, if not all four:
1. Were written/performed by an Indiana-born artist
2. Were recorded at an Indiana studio
3. Were released on a Hoosier label
4. Were released when artist was living and working in Indiana for a significant period of time
"But where is my beloved Thriller?" we can hear you exclaim. "The unimpeachable Tender Lover?" Hoosier legends like Babyface and The Jacksons appear on this list ... but perhaps not with the releases you would expect. We wanted a list of 100 albums that are true local releases. That's why, for example, The Incredible Jazz Guitar of Wes Montgomery doesn't appear here, but his Fingerpickin' is one of our first choices. We love John Hiatt's Bring the Family, but Hiatt moved to Nashville in 1968 - and wasn't living here by the time his first record was released.
We also only chose one album per artist (although some individual musicians have performed on a few of these different records). The vast majority of releases picked are full-length albums, although we did include a few EPs, splits and collaborations that were too excellent to leave out.
This is an unranked list. We'll be honest: we considered ranking these from 1 to 100 for weeks, but when it comes down to it, Naptown Blues 1929-1934 is a totally different animal than DMA's Pheel Phree - both excellent, but determining which one is more so? Well, we'll lend our ear to anyone who can come up with a persuasive argument. It's also vaguely Central Indiana-focused, because, well, we live here.
Above all, we wanted to honor albums with lasting historical and cultural impact. You already know Indiana lays claim to some of the best jazz artists to ever pick up instruments. But we wanted to honor the funk gods who lived and worked here, too, and revolutionary studios like New Palestine's 700 West, plus all that searing punk that radiated out from the Heartland in the '70s. But don't think we abandoned the newbies; there are several 2013 releases on this list (perhaps more than any other year), proving that Hoosier music is just getting consistently more excellent.
We reached out to a few dozen of Indianapolis' most dedicated music makers, purveyors and lovers when we started this project. They sent us their short lists of favorite records, which we used when compiling our full list. Our contributors represent a variety of genres, but unsurprisingly, many of their lists included some of the same records. Excellence is excellence, no matter the genre.
Our contributors included: Karl Hofstetter (Joyful Noise Recordings), Bob Richert (Gulcher Records), Jim Ector (Karma Records), Sharon Rickson (Girls Rock, various bands), Travis Harvey (Village Green Records), Nick Selm (Drink or Die, NUVO), Ace One (emcee), Jason Nickey (Landlocked Music) Abby Goldsmith (General Public Collective), Todd Robinson (LUNA Music), Rich Barker (Punk Rock Night, various bands), Jon Rogers (Musical Family Tree), Wayne Bertsch (Barfly), Kyle Hodges (Jazz Fest Foundation, various musical projects), Rob Peoni (Thoughts on Tracks, MFT, We Listen For You), Slater Hogan (DJ, Keepin It Deep), Annie and Andy Skinner (Indy CD and Vinyl, A-Squared Industries), Nick Saligoe (Deckademics, DJ Metrognome), Eric Salazar (DJ Salazar), Rick Wilkerson (Missing Link Records), Derek Vorndran (In Store Recordings) Stan Denski (IUPUI, Aether/Or Records, Irvington Folk Festival) and the editorial staff of NUVO.
The nitty gritty
Dates listed are for original or widest release. Genre specifications can be debated in the comments section. And 100 is a nice, round number. All blurbs are written by the staff of NUVO or, when noted, Stan Denski.
A note to the disgruntled: There are way more than 100 excellent albums with origins in Indiana, so we've opened a forum for you where you can submit your favorite -- your five favorite, in fact. Just itchin' to dash off some quick hate mail? As Ronnie from the Jersey Shore says, come at us, bro. That can go to email@example.com. (But be creative, please, because we might decide to run a list of 100 best hate mail submissions in the near future.)
- NUVO File Photo
- Everthus the Deadbeats
The 100 Best Hoosier albums
Action Strasse - American Gas Jive
garage pop - 2008
Adam Jay - Mediastinum
electronic/techno - 2012
When a debilitating health issue landed Indianapolis techno giant Adam Jay in the hospital, he used the experience as a source of musical inspiration recording the beeps and buzzes of the life-sustaining machines for use as compositional elements in his music production. The project also served as a fundraiser for Adam's outstanding medical debts. Perhaps the most conceptually interesting release in Adam's large discography of techno classics.
Al Hobbs and the Indianapolis Mass Choir
- Let Him Have His Way
gospel - 1982
Indy has a great gospel music tradition and this live recording from Al Hobbs and the Indianapolis Mass Choir is an excellent example. Check the rocking "Praise Him For Myself."
America Owns the Moon - Tiger EP
rock - 2003
- Submitted Photo
- Amnesty, 'Free Your Mind'
- Free Your Mind: The 700 West Sessions
soul/funk/psych - recorded 1973 - released 2007
A major masterpiece of Indiana funk. Sophisticated arrangements, superb playing and soulful vocals bring Amnesty's politically charged songs to life as the band blurs the lines between jazz, soul, gospel and psychedelic rock. A must-hear Hoosier classic.
Anonymous - Inside the Shadow
psych/rock - 1970
While the record was released on Indianapolis musician Jim Spencer's Milwaukee-based A Major Label, the band was from Indianapolis and had risen from the ashes of the 1960s garage band Sir Winston & The Commons. The album channels Buffalo Springfield, Jefferson Airplane and The Byrds, while remaining original. Like the other records listed here, the quality of the songwriting is major league excellent. The album has been reissued on LP and CD multiple times and is relatively easy to acquire. - Stan Denski
Apache Dropout - Self-Titled
rock - 2011
Arson Garden - Self-Titled
rock/indie - 1988
Bloomington's ethereal art rockers are one of Indiana's most under-appreciated rock bands.
Art Adams - Rockin' My Way Around
rockabilly/country - 2005
Art Adams recorded a handful of classic rockabilly singles in the genre's heyday. He still sounds amazing on this 2005 LP.
Baron Von Ohlen Quintet with Mary Moss - The Baron
jazz - 1973
Breezy, soulful Euro-jazz featuring delicious electric piano work from Indy keyboard masters Steve Allee and Claude Sifferlen.
Billy Foster & Audio - Self-Titled
jazz/funk - 1983
Billy Wooten And Special Friends
- In This World
funk/jazz - 1979
In demand by DJs around the world for the funky Latin Jazz groover "Chicango." In This World features guitarist Steve Weakley from Indy's legendary Funk Inc.
The Blankenship Bros. - Bluegrass & Rockabilly Kings From Indianapolis
rockabilly/bluegrass/country - 1999
An excellent compilation of raw country and rockabilly music independently released by Indy's Blankenship Brothers. These seldom heard recordings date from the late '50s and early '60s.
The Burnt Ones - Black Teeth Golden Tongues
psych/rock - 2010
Cara Jean Wahlers and Grover Parido - Goodnight Charlotte
folk - 2010
Goodnight Charlotte is a stunningly beautiful set of quiet-yet-engaging songs anchored by Wahler's in-your-ear vocals and Parido's achingly gorgeous cello. Whether his contribution is part of the background, or a solo that creeps from the background and engulfs the listener, his playing is pointed and pretty, soulful and satisfying. The album is music for your head and heart.
- Lisa Fett
- Caleb McCoach
Caleb McCoach - Songs From An Empty Shore
folk - 2013
Ten dreamy, spare, (mostly) crushingly sad tracks from Indianapolis singer-songwriter McCoach, this release features just acoustic guitar and cracking voice, along with some minimal percussion. This excellent album is one of the anchors of new label In Store Recordings and rewards repeat listens. McCoach is playing out with a full band now, but this breathy, intimate release showcases what a good record really does: makes you feel like the artist is playing right in the room you're in.
Charles Tyler - Eastern Man Alone
jazz - 1967
One of the few avant-garde jazz albums from the Indianapolis scene. Featuring an ensemble of local players including David Baker on cello, Charles Tyler's Eastern Man Alone was recorded in Indy and released on the legendary experimental music label ESP. The album recalls the work of outsider jazz legend Albert Ayler, a musician Tyler had cut several records with prior to this date. Not the stereotypical sound we've come to expect from Indianapolis jazz - but a classic nonetheless.
Coffinworm - IV.I.VIII
metal - 2014
Dancing Cigarettes - School of Secret Music/The Gulcher Recordings CD
post-punk - 1996
Dave Owen - Nocturnal
electronic/drum and bass - 2013
Any of Dave Owen's jazzy drum and bass creations are guaranteed to be masterfully produced. Owen's catalog is full of releases that have been championed by the genre's greatest producers and DJs, but this recent work is particularly striking and soulful.
David Baker's 21st Century Bebop Band - The Harlem Pipes
jazz - recorded 1980s, released 2003
A brilliant collection of classic bop from composer, conductor, trombonist, cellist and elder statesman of Indiana jazz, David Baker.
Demiricous - Two (Poverty)
metal - 2007
Devil to Pay - Fate Is Your Muse
metal - 2013
Fate Is Your Muse is without a doubt a towering, monumental piece of metal that has the power to transcend labels and genres. Doom? Straight up metal? Stoner rock? Whatever the fuck Metallica called what they were doing after Master of Puppets and before Load? Give FiYM half a chance and it will change you.
The DIxon-Rhyne Project - Reinvention
jazz - 2008
Legendary organist and Wes Montgomery sideman Melvin Rhyne shines on this funky collaboration with Indy sax player Rob Dixon. A soul-jazz masterpiece for the hip-hop era.
DJ Shiva - Consumer Product
electronic/techno - 2011
Claiming nearly 20 years of experience as a DJ, Lisa Smith - better known as DJ Shiva - has been a tireless proponent of techno music in Indy. Shiva has also been active as a producer, amassing a respectable discography since releasing her first 12" in 2005. Consumer Product is an expertly crafted chunk of hardcore minimal-techno. "Insipid Market Fodder" is the standout track here. The introductory passage recalls traditional West African drumming, and just before the hypnotic percussion pattern lulls you into trance, Shiva slaps on a funky, jacking Chicago house beat. Highly recommended for anyone with an interest in contemporary electronic music and absolutely essential listening for techno fans.
DMA - Pheel Phree
electronic/psych - 2013
Full of cryptic lyrics and jarring waves of sound, DMA's stream of consciousness creations flow loose and free. But there's a method to the madness. The most striking elements on Pheel Phree are Adamson's carefully layered and ethereal multi-tracked vocal harmonies. These moments strike in unlikely ways and suddenly shift listeners into a different dimension of sound not unlike the otherworldly choirs in the Philip Glass epic Einstein on the Beach.
Dorsh - Neapolitan
soul/electronic - 2012
The debut release from Rad Summer's eccentric young soul crooner Dorsh is a remarkably mature and compelling work. Dorsh is a true triple threat, delivering high quality work on Neapolitan as a producer, vocalist and MC. Throughout the LP, Dorsh's delicate, whispery vocals are tastefully paired with jazzy, ambient electronic beats.
Ebony Rhythm Band - Soul Heart Transplant
soul/funk/psych - recorded 1969 - released 2004
In 1969, Ebony Rhythm Band released a funky 45 titled Soul Heart Transplant on Herb Miller's Indianapolis-based soul label Lamp. This LP is composed of unreleased tracks from those sessions. Essential for the inclusion of "Drugs Ain't Cool," a mind-bending psychedelic funk nugget recorded a full year prior to the debut release of George Clinton's Funkadelic.
Elephant Micah - Hindu Windmills
folk - 2006
Everthus The Deadbeats
- John Kill and The Microscopic Lullaby
glam folk - 2008
Everything, Now! - Spatially Severed
rock - 2008
Our favorite of the wild, sci-fi-flecked rock inventions from Everything, Now!, helmed by Jon Rogers.
- The Miseducation of Freddie Gibbs
hip-hop - 2009
The Gates of Slumber - Conquerer
doom metal - 2008
Gizmos - 1976/77 The Studio Recordings
punk - recorded 1976-77
Best news out of the Gizmos camp this year? The lineup that recorded these songs is reuniting and touring this summer.
Good Luck - Into Lake Griffy
pop-punk - 2008
Gently emerging from the soft-spoken Bloomington P.C. punk scene, Good Luck made national waves with their debut record, Into Lake Griffy. Mixing the best parts of progressive indie and punk acts like The Weakerthans, Good Luck's three incredibly talented members laid down track after track of melodic, thoughtful pop punk with enough noodling to feed an army.
Grampall Jookabox - Ropechain
psych-folk - 2008
Before he morphed into Jookabox or DMA, David "Moose" Adams was know as Grampall Jookabox. More than any of his other releases, Ropechain captures GJ at their weirdest, their wildest, their catchiest. Aside from the tripped-out reggae of obvious single "The Girl Ain't Preggers," Ropechain is packed with incredible songs that blur the lines between nonsensical and insightful.
- Curtis Hitch and Hoagy Carmichael
jazz - recorded 1920s, released 1974
This reissue rounds up nearly all the recordings the young Hoosier songwriter Hoagy Carmichael made in Richmond, Indiana's Gennett Records studio - including the original 1927 recording of Hoagy's perennial classic "Star Dust." The album also features selections from the Evansville based jazz group of Curtis Hitch.
Hotfox - You, Me, and The Monster
indie rock - 2011
The Impossible Shapes - Tum
pop/folk - 2006
In the Face of War - Self-Reliance is Self Destruction
hardcore - 2002
- I'd Rather Be A Faggot Than A Christian
punk - 2013
Sometimes you just want to get your kicks and let go. That's where the Involuntarys come in. Underneath their bonehead sensibilities lies an acute sense of satire and commentary. Songs like "Helen Keller Was A Socialist" are sure to have you pondering in the pit. Featuring some of the most lovable party punks in town, The Involuntarys will remind you why 1994 was the best year ever.